The story: Tom Hazard, currently working as a teacher living in London, has spent his life hiding a secret – he was actually born in 1581. Tom has a condition that means that he ages so slowly that he has lived through many lifetimes. Now under the protection of others like him through the Albatross society, Tom is given all he needs to reinvent his identity every eight years. The only rule is never to fall in love.
But although Tom tries to stick to the rules, being back in the city where he was born brings back long forgotten memories and desires. He’s also been searching for something for a long time which seems to finally be within his reach.
My thoughts: I really enjoyed this book and the way it was written, and once I’d started I couldn’t put it down. I loved how Tom’s past was overlaid with the present throughout this book – over the centuries he’s been on a stage with Shakespeare, sailed with great explorers and drank in a bar in Paris with the Fitzgerald’s – and when he’s teaching his students history, he’s drawing on all his own personal experiences to really bring the past to life.
At first glance, he appears to have it all – he’s travelled the world, set up with everything he needs and has enjoyed all that the world has to offer.
But there are of course the inevitable problems. He’s watched loved ones die and been unable to stop it, he’s unable to for any meaningful attachments for fear of questions, and the mundane details of daily life become increasingly insignificant.
Threaded throughout the whole novel are little insights that make us think about what it means to be human. It raises some really interesting questions – what is life without love and the people that surround us? Are existing and living the same thing?
The villain of the piece, Hendrich, the leader of the Albatross Society, is suitably dastardly and threatening, which keeps the pace moving along well and adds some additional drama to a story that otherwise may have run the risk of becoming a little bogged down in reflection and memories.
The subject matter and style really reminded me of The First Fifteen Lives of Harry August, which I also loved. I’m not surprised to hear that there’s a film of this in the making, with Benedict Cumberbatch in the lead role. The skill of Haig’s writing means that in my head I can already imagine exactly how it will play out on screen, and I can’t wait to watch it.