From birth, the Suddeq children – Sully, Jakie, Mae and Lana – are pushed into set roles determined by their gender and by social expectations. The boys will study, go abroad for education and return as successful doctors. The girls will be dutiful daughters, marry well and help to keep the family in the highest social standing.
But their mother’s determination to force them into these ideals of ‘good children’ forces a wedge between her and her children. All four grow up to rebel and push the boundaries in their own way – Sully marries outside of his religion and Jakie falls in love with a white Irishman, while the girls leave their husbands and raise their children with Western values.
Despite scattering to all corners of the globe to escape their mother’s grasp over their lives, their childhood in the Punjab profoundly affects all four of the children. As they build their lives in new surroundings and carve their own path away from family and cultural expectations, they all struggle to some extent with feelings of enduring guilt or resentment. Many years later, they are drawn back to their childhood home and forced to come to terms with their upbringing and the choices they’ve made since. Continue reading